Why rehearse in a studio
Ask anyone what threw them in their first live interview and they rarely mention the
questions. They mention the conditions: a presenter’s voice in their ear on a slight delay,
a camera lens where a face should be, bright lights, a floor manager counting down, and the
knowledge that there is no second take.
A meeting room can rehearse the questions. It cannot rehearse the earpiece. Most people only
discover how disorienting it is when they are live on air, which is the worst possible
moment to find out. A studio day puts those conditions in front of you while it is still
practice.
What the studio brings
- Earpiece talkback. A voice in your ear from someone who is not in the room, exactly as a gallery or a remote presenter would sound.
- A properly configured clean feed, so you hear the programme without an echo of yourself. It can also be deliberately broken, so you know what a bad line feels like before you meet one live.
- Three 4K cameras, wide, tight and cutaway, so playback shows the shot an editor would actually use.
- Broadcast sound, which makes the small delivery habits a phone camera hides clearly audible.
- Instant playback on a large screen in the room: record, watch, discuss, go again, within minutes.
- A room that feels like an occasion. A 16th-century barn rather than a hotel suite. People take a day more seriously when it does not feel like another meeting.
How it works
Hilary designs and runs the session, built around your organisation, your issues and the
questions you are likely to face. Granary Digital provides the
studio, the broadcast equipment and the crew. Hilary already knows the room well: she
records her weekly podcast, Experience, there.
What it suits
A studio day works best for four to six people, so everyone gets proper camera time and
playback. You keep the recordings.
Not sure a studio day is what you need? Much of our training works well in your own
offices. Tell us what you are preparing for and we will suggest the right setting.